‘Josef Albers’ drawing as a kind of intellectual sobriety of geometric order, the result of a beauty and mental clarity lying beyond individual taste; Twombly’s drawing as a kind of intellectual-spiritual relaxedness of a classically valid ideal elevated and preserved in subjectivity. Mette Stausland’s drawings move in the field of tension between these two poles, between disciplined awareness and intuitive freedom. Her point of access to art, especially to drawing, has been strongly determined by personal experience.’
Eckhard Schneider: In search of order in freedom | More…
